This article is preoccupied with the dramaturgies and collaborations between human and more-than-human agents in contemporary eco-performance. Putting Anna Tsing’s concept of contamination as collaboration as well as Maria Puig de la Bellacasa’s notion of care time into dialogue with theatre and performance studies, the article investigates Danish choreographer Nana Fransisca Schottländer’s performance Bodyscaping, arguing that contemporary eco-performance does not only represent, but also practice care.