Peter Woetmann Christoffersen

Peter Woetmann Christoffersen

Emeritus


  1. 2021
  2. Published

    Freedom of creation and the virtuoso composer: Guillaume Du Fay exploring sound and rhythmic relations in Missa Sancti Anthonii de Padua

    Christoffersen, Peter Woetmann, 2021, »Music is different« – isn’t it? Bedeutungen und Bedingungen musikalischer Autonomie. Festschrift für Siegfried Oechsle zum 65. Geburtstag. Kassel (Bärenreiter) 2021, . Kirsch, K. & Lotzow, A. (eds.). Kassel: Bärenreiter Verlag, p. 49-67 19 p. (Kieler Schriften zur Friedenswissenschaft, Vol. LVII).

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

  3. 2017
  4. Published

    Palestrina, den katolske reformbevægelse og kirkemusikken

    Christoffersen, Peter Woetmann, Dec 2017, En anden reformation: Rom som religiøst epicenter. Carstens, P., Nykjær, M. & Roer, H. (eds.). København: Forlaget Orbis, p. 172-194

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

  5. 2013
  6. Published

    Improvisation und schriftliche Komposition

    Christoffersen, Peter Woetmann, 2013, Komponieren in der Renaissance: Lehre und Praxis . Calella, M. & Schmidt, L. (eds.). Laaber: Laaber-Verlag, p. 233-247 (Handbuch der Musik der Renaissance, Vol. 2).

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

  7. 2012
  8. Published

    L’Abbaye de Corbie, sainte Barbe et le manuscrit Amiens 162

    Christoffersen, Peter Woetmann, 2012, La musique en Picardie du xive au xviie siècle. Cavicchi, C., Colin, M-A. & Vendrix, P. (eds.). Turnhout: Brepols Publishers, p. 256-261

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

  9. 2008
  10. Published

    Publishing 15th century music: Open Access and Digital Editing

    Christoffersen, Peter Woetmann, 2008, Digital Editions of Music: Perspectives for Editors and Users. Proceedings. Geertinger, A. T. & Moe, B. (eds.). Museum Tusculanum, p. 49-59

    Research output: Chapter in Book/Report/Conference proceedingArticle in proceedingsResearch

  11. 2007
  12. Published

    Alexander Agricola's Vocal Style – »bizarre« and »surly«, or the Flower of the Singer's Art?

    Christoffersen, Peter Woetmann, 2007, Alexander Agricola. Musik zwischen Vokalität und Instrumentalismus: Trossinger Jahrbuch für Renaissancemusik, Band 6, 2006. Schwindt, N. (ed.). Kassel: Bärenreiter, p. 59-79

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

ID: 5036