Annemette Kirkegaard
!!Lektor emerita
Department of Arts and Cultural Studies
Karen Blixens Vej 1
2300 København S
- 2007
- Published
African Islamic Pop - What kind of musical identity? http://eng.grieg07.no/index.php?news=741&history=search
Kirkegaard, Annemette, 2007, Grieg 07: Symposium. Bergen, Norway: Grieg Foundation, 6 p.Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
Closing Session; BUILDING THE FIELD OF ETHNOMUSICOLOGY IN THE ARAB WORLD AND IN THE WORLD OF ISLAM. Discussion introduced and moderated by Prof. Salwa El-Shawan Castelo-Branco & Prof. John Baily: Freemuse.org
Kirkegaard, Annemette, 2007, Conference on music in the World of Islam. Bois, P. (ed.). Paris: Maison de la Culture du MondeResearch output: Chapter in Book/Report/Conference proceeding › Comment › Research
- Published
East African Taarab as a contemporary mediator of the diversity and vitality of a musical tradition within Islamic Culture
Kirkegaard, Annemette, 2007, Conference on Music in the World of Islam: Music Across Borders. Bois, P. (ed.). 1 ed. Paris: Maison de la Culture du Monde, p. 1-9 9 p.Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
Michael Drewett and Martin Cloonan (eds.), Popular Music Censorship in Africa, Ashgate Publishing, 2006, 228 p. ISBN:0754652912:
Kirkegaard, Annemette, 2007, In: Ethnomusicology Forum. 16, 1, p. 159-161 3 p.Research output: Contribution to journal › Literature review › Research
- 2005
- Published
"Det driver af danskhed" Er der en dansk tone i populærmusikken?
Kirkegaard, Annemette, 2005, Musik og Danskhed - Fem faglige bidrag til debatten om nationalitet.. København: Hans Reitzels Forlag, p. 75-99Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- 2004
- Published
"Hvordan jeg lærte at spille guitar": Perspektiver på koblingen af populærmusikstudier og musiketnologi.
Kirkegaard, Annemette, 2004, Dansk Rockkultur. København, p. 1-13Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
Anmeldelse: Johannes Brusila: "Local Music , not from here" The discourse of World Music examined through three Zimbabwean case studies.
Kirkegaard, Annemette, 2004, In: Dansk årbog for musikforskning. vol. 31 2003, p. 119-121Research output: Contribution to journal › Literature review › Research
- Published
Remmy Ongala - Moderating through Music. The impact of censorship in Tanzania
Kirkegaard, Annemette, 2004, Sounds of Change - Social and Political Features of Music in Africa.. no 12 ed. Stockholm: <Forlag uden navn>, p. 57-69Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
Studiet af musik i antropologisk lys
Kirkegaard, Annemette, 2004, In: Jordens Folk; Etnografisk tidskrift. 39. årg. no. 3 september 2004, p. 4-9Research output: Contribution to journal › Journal article › Research
- 2003
- Published
Anmeldelse: Dan Lundberg & Gunnar Ternhag: Musiketnologi - en introduktion
Kirkegaard, Annemette, 2003, In: Svensk tidskrift för musikforskning. vol 85, p. 96-98Research output: Contribution to journal › Literature review › Research
- 2002
- Published
"Tranzania" - A Cross-Over from Norwegian Techno to Tanzanian Taarab
Kirkegaard, Annemette, 2002, Playing with Identities in Contemporary Music in Africa,. Stockholm: Nordiska Afrikainstitutet, p. 46-59Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
Anmeldelse: Dan Lundberg, Krister Malm & Owe Ronström: Musik - Medier - Mångkultur: Forändringar i svenska Musiklandskap
Kirkegaard, Annemette, 2002, In: Svensk tidskrift för musikforskning. vol. 84, 2002, p. 110-112Research output: Contribution to journal › Literature review › Research
- Published
Anmeldelse: Dan Lundberg, Krister Malm & Owe Ronström: Musik - Medier - Mångkultur: Forändringar i svenska Musiklandskap/Eva Fock: Mon farven har en anden lyd. Strejftog i 90'ernes musikliv og ungdomskultur i Danmark
Kirkegaard, Annemette, 2002, In: Dansk årbog for musikforskning. XXIX, 2001, p. 128-131Research output: Contribution to journal › Literature review › Research
- Published
Introduction
Kirkegaard, Annemette, 2002, Playing with Identities in Contemporary Music in Africa. Stockholm: Nordiska Afrikainstitutet, p. 7-18Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
Response to Marcia Citron: American Musicology and the Culture of Change
Kirkegaard, Annemette, 2002, 13th Nordic Musicological Congress, Aarhus 2000, Papers and Abstracts. Aarhus: Werks Offset A/S, p. 44-47Research output: Chapter in Book/Report/Conference proceeding › Report chapter › Research
- 2001
- Published
Questioning The Origins of The Negative Image of Africa in Medieval Europe
Kirkegaard, Annemette, 2001, Encounter Images in The Meetings between Africa and Europe. Borås: Nordiska Afrikainstitutet, p. 20-36Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
Tourism Industry and Local Music Culture in Contemporary Zanzibar
Kirkegaard, Annemette, 2001, Same and Other: Negotiating African Identity in Cultural Production. Stockholm: Nordiska Afrikainstitutet, p. 59-76Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- 2000
- Published
Hvorfor stemmer de ikke guitarerne ordentligt i Dar es Salaam ? Transskription, analyse og notation i musiketnologi.
Kirkegaard, Annemette, 2000, In: Dansk årbog for musikforskning. XXVII - 1999, p. 65 - 82Research output: Contribution to journal › Journal article › Research
- Published
Per Reinholdsson: Making Music Together
Kirkegaard, Annemette, 2000, In: Dansk årbog for musikforskning. XXVII - 1999, p. 109 - 110Research output: Contribution to journal › Literature review › Research
- Published
Universalisme, simulakrum og musiketnologi.
Kirkegaard, Annemette, 2000, In: Musik & Forskning. 25 - 1999/2000, p. 104 - 128Research output: Contribution to journal › Journal article › Research
- 1999
- Published
Exodus - men hvorhen? Hvad er baggrunden for reggaens enorme popularitet i Afrika?
Kirkegaard, Annemette, 1999, In: Musik & Forskning. 24, p. 79-114Research output: Contribution to journal › Journal article › Research
- 1998
- Published
Hvad i alverden...? Verdensmusik i vestlig populærmusikkultur
Kirkegaard, Annemette, 1998, In: Anglo-Files. 107, maj 1998, p. 9-13Research output: Contribution to journal › Journal article › Research
- Published
Om populærmusikkens rolle i de afrikanske byer; med eksempler fra Dar es Salaam og Zanzibar Town
Kirkegaard, Annemette, 1998, In: Musik & Forskning. 23, p. 126-158Research output: Contribution to journal › Journal article › Research
- 1997
- Published
Indledning ved offentligt forsvar af ph.d.-afhandlingen "Taarab na Muziki wa densi"
Kirkegaard, Annemette, 1997, Musik & Forskning 22. København: Retzels Boghandel A/S, p. 21-31Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- 1996
- Published
Taarab-musik for nydelsen
Kirkegaard, Annemette, 1996, In: Kontakt. 48/8 1995/1996, p. 37 - 38Research output: Contribution to journal › Journal article › Research
ID: 7275
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East African Taarab as a contemporary mediator of the diversity and vitality of a musical tradition within Islamic Culture
Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
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Closing Session; BUILDING THE FIELD OF ETHNOMUSICOLOGY IN THE ARAB WORLD AND IN THE WORLD OF ISLAM. Discussion introduced and moderated by Prof. Salwa El-Shawan Castelo-Branco & Prof. John Baily: Freemuse.org
Research output: Chapter in Book/Report/Conference proceeding › Comment › Research
Published