Annemette Kirkegaard
!!Lektor emerita
Department of Arts and Cultural Studies
Karen Blixens Vej 1
2300 København S
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Introduktion: Rockens historier, kulturer, genrer og geografier
Kirkegaard, Annemette & Michelsen, M., Nov 2013, Rock i Danmark: Studier i populærmusik fra 1950'erne til årtusindskiftet . Michelsen, M. (ed.). Syddansk Universitetsforlag, p. 11-32 (University of Southern Denmark Studies in History and Social Sciences, Vol. 452).Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
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"Hvordan jeg lærte at spille guitar": Perspektiver på koblingen af populærmusikstudier og musiketnologi.
Kirkegaard, Annemette, 2004, Dansk Rockkultur. København, p. 1-13Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
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East African Taarab as a contemporary mediator of the diversity and vitality of a musical tradition within Islamic Culture
Kirkegaard, Annemette, 2007, Conference on Music in the World of Islam: Music Across Borders. Bois, P. (ed.). 1 ed. Paris: Maison de la Culture du Monde, p. 1-9 9 p.Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
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"Det driver af danskhed" Er der en dansk tone i populærmusikken?
Kirkegaard, Annemette, 2005, Musik og Danskhed - Fem faglige bidrag til debatten om nationalitet.. København: Hans Reitzels Forlag, p. 75-99Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
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Dark Side of the Tune : Popular Music and Violence by Bruce Johnson & Martin Cloonan: (Aldershot: Ashgate Publishing Limited, 2008)
Kirkegaard, Annemette, 2009, In: Popular Musicology Online. 4 p.Research output: Contribution to journal › Literature review › Research
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Om at fare vild i verdensmusikkens buskads
Kirkegaard, Annemette, Aug 2011, In: Danish Musicology Online. 2, p. 53-78 26 p.Research output: Contribution to journal › Journal article › Research › peer-review
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Indledning ved offentligt forsvar af ph.d.-afhandlingen "Taarab na Muziki wa densi"
Kirkegaard, Annemette, 1997, Musik & Forskning 22. København: Retzels Boghandel A/S, p. 21-31Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
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Censoring Music through Race: The struggle between African and Arab values and politics in the music of Zanzibar
Kirkegaard, Annemette, 2009, In: Dansk årbog for musikforskning. 36, p. 21-41 21 p.Research output: Contribution to journal › Journal article › Research › peer-review
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"Tranzania" - A Cross-Over from Norwegian Techno to Tanzanian Taarab
Kirkegaard, Annemette, 2002, Playing with Identities in Contemporary Music in Africa,. Stockholm: Nordiska Afrikainstitutet, p. 46-59Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
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Remmy Ongala - Moderating through Music. The impact of censorship in Tanzania
Kirkegaard, Annemette, 2004, Sounds of Change - Social and Political Features of Music in Africa.. no 12 ed. Stockholm: <Forlag uden navn>, p. 57-69Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
ID: 7275
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East African Taarab as a contemporary mediator of the diversity and vitality of a musical tradition within Islamic Culture
Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
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661
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Closing Session; BUILDING THE FIELD OF ETHNOMUSICOLOGY IN THE ARAB WORLD AND IN THE WORLD OF ISLAM. Discussion introduced and moderated by Prof. Salwa El-Shawan Castelo-Branco & Prof. John Baily: Freemuse.org
Research output: Chapter in Book/Report/Conference proceeding › Comment › Research
Published