Calendar

28 Aug. 2025, 14:00-15:30

WHY WAR? Debating Pacifism during the Spanish Civil War: Herbert Read, John Middleton Murry and the ‘Necessity’ of Anarchism

Open keynote by Professor Mark Antliff, Duke University.

3 Sept. - 7 Sept. 2025

Data Loss Reverberations

Open Panel at 4S 2025: Data Loss Reverberations - Exploring Disappearance, Destruction and Dispossession in Digital Societies.

10 Sept. 2025, 14:00-15:30

My grandfather made an environmental disaster- intergenerational justice and reconciliation

CIRCLE seminar with Johanne Mygind.

12 Sept. 2025, 14:15-16:00

You Say You Want a Revolution? Building a kaleidoscopic chorus against, without and beyond violence

Inaugural Lecture by Novo Nordisk Foundation Visiting Professor in Art & Art History, Marsha Meskimmon.

22 Sept. - 26 Sept. 2025

PASS Intensive Training Residency

For practice-based researchers in art studies including doctoral students, museum and archive professionals, artists, members of self-organised groups.

29 Sept. - 30 Sept. 2025

Collecting and classifying: How museums of the late-nineteenth century shaped the modern world

This conference convenes international scholars and museum practitioners who will develop their ideas about a historical period characterised by powerful industrialists, who became influential art collectors and museum founders.

15 Sept. - 17 Sept. 2026

The Ambient Music Conference

Conference.

Department of Arts and Cultural Studies

WHY WAR? Debating Pacifism during the Spanish Civil War: Herbert Read, John Middleton Murry and the ‘Necessity’ of Anarchism

Data Loss Reverberations

My grandfather made an environmental disaster- intergenerational justice and reconciliation

You Say You Want a Revolution? Building a kaleidoscopic chorus against, without and beyond violence

PASS Intensive Training Residency

Collecting and classifying: How museums of the late-nineteenth century shaped the modern world

The Ambient Music Conference

Past events

Platform Amplification and Feminist Refusals

Literature at KU

Nothing Much was Lost: Theorizing Feminist Records Creation