The Transdisciplinary Potential of Remediated Painting

Research output: Chapter in Book/Report/Conference proceeding › Article in proceedings › Research › peer-review

Standard

The Transdisciplinary Potential of Remediated Painting. / Petersen, Anne Ring.

New Imaging: Transdisciplinary strategies for art beyond the new media: Transdisciplinary Imaging Conference 2010, Sydney, Australia. ed. / Su Baker; Paul Thomas. Vol. 1 1. ed. 2010. p. 112-125.

Research output: Chapter in Book/Report/Conference proceeding › Article in proceedings › Research › peer-review

Harvard

Petersen, AR 2010, The Transdisciplinary Potential of Remediated Painting. in S Baker & P Thomas (eds), New Imaging: Transdisciplinary strategies for art beyond the new media: Transdisciplinary Imaging Conference 2010, Sydney, Australia. 1 edn, vol. 1, pp. 112-125, The First International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, Sydney, Australia, 05/11/2010. <http://blogs.unsw.edu.au/tiic/files/2011/03/finalforwebsite.pdf>

APA

Petersen, A. R. (2010). The Transdisciplinary Potential of Remediated Painting. In S. Baker, & P. Thomas (Eds.), New Imaging: Transdisciplinary strategies for art beyond the new media: Transdisciplinary Imaging Conference 2010, Sydney, Australia (1 ed., Vol. 1, pp. 112-125) http://blogs.unsw.edu.au/tiic/files/2011/03/finalforwebsite.pdf

Vancouver

Petersen AR. The Transdisciplinary Potential of Remediated Painting. In Baker S, Thomas P, editors, New Imaging: Transdisciplinary strategies for art beyond the new media: Transdisciplinary Imaging Conference 2010, Sydney, Australia. 1 ed. Vol. 1. 2010. p. 112-125

Author

Petersen, Anne Ring. / The Transdisciplinary Potential of Remediated Painting. New Imaging: Transdisciplinary strategies for art beyond the new media: Transdisciplinary Imaging Conference 2010, Sydney, Australia. editor / Su Baker ; Paul Thomas. Vol. 1 1. ed. 2010. pp. 112-125

Bibtex

@inproceedings{700d3e5ade9842f0bbb704f33a476498,
title = "The Transdisciplinary Potential of Remediated Painting",
abstract = "Over the last decades the notion of what painting is has been considerably widened due to intermediality, i.e. crossovers between artistic media such as painting and sculpture, painting and photography, painting and installation, painting and performance etc. This paper suggests that the transformation of the discipline of painting into an expanded field has not only liberated painting from its ties to its traditional repertoire of materials and modes of representation. It has also released a tremendous potential for image making that takes painting as a point of departure but moves beyond the limitations of dialogic intermedia into the field of transdisciplinary aesthetics. In support of my argument, I turn to the concept of remediation as it was first applied in new media theory by Jay David Bolter and Richard Grusin. The ambition is to develop an apprehension of painting not as an artistic artifact or 'medium-specific' practice, but as a critical remediating process - painting as remediated painting. ",
keywords = "Faculty of Humanities, det remedierede maleri, transdisciplinaritet, remediated painting, transdisciplinarity",
author = "Petersen, {Anne Ring}",
year = "2010",
language = "English",
volume = "1",
pages = "112--125",
editor = "Su Baker and Thomas, {Paul }",
booktitle = "New Imaging: Transdisciplinary strategies for art beyond the new media",
edition = "1",
note = "null ; Conference date: 05-11-2010 Through 06-11-2010",

}

RIS

TY - GEN

T1 - The Transdisciplinary Potential of Remediated Painting

AU - Petersen, Anne Ring

PY - 2010

Y1 - 2010

N2 - Over the last decades the notion of what painting is has been considerably widened due to intermediality, i.e. crossovers between artistic media such as painting and sculpture, painting and photography, painting and installation, painting and performance etc. This paper suggests that the transformation of the discipline of painting into an expanded field has not only liberated painting from its ties to its traditional repertoire of materials and modes of representation. It has also released a tremendous potential for image making that takes painting as a point of departure but moves beyond the limitations of dialogic intermedia into the field of transdisciplinary aesthetics. In support of my argument, I turn to the concept of remediation as it was first applied in new media theory by Jay David Bolter and Richard Grusin. The ambition is to develop an apprehension of painting not as an artistic artifact or 'medium-specific' practice, but as a critical remediating process - painting as remediated painting.

AB - Over the last decades the notion of what painting is has been considerably widened due to intermediality, i.e. crossovers between artistic media such as painting and sculpture, painting and photography, painting and installation, painting and performance etc. This paper suggests that the transformation of the discipline of painting into an expanded field has not only liberated painting from its ties to its traditional repertoire of materials and modes of representation. It has also released a tremendous potential for image making that takes painting as a point of departure but moves beyond the limitations of dialogic intermedia into the field of transdisciplinary aesthetics. In support of my argument, I turn to the concept of remediation as it was first applied in new media theory by Jay David Bolter and Richard Grusin. The ambition is to develop an apprehension of painting not as an artistic artifact or 'medium-specific' practice, but as a critical remediating process - painting as remediated painting.

KW - Faculty of Humanities

KW - det remedierede maleri

KW - transdisciplinaritet

KW - remediated painting

KW - transdisciplinarity

M3 - Article in proceedings

VL - 1

SP - 112

EP - 125

BT - New Imaging: Transdisciplinary strategies for art beyond the new media

A2 - Baker, Su

A2 - Thomas, Paul

Y2 - 5 November 2010 through 6 November 2010

ER -

ID: 33265788