Jens Hesselager
Associate Professor
Department of Arts and Cultural Studies
Karen Blixens Vej 1
2300 København S
- 2006
- Published
Uden for operahistoriens hovedspor. Berlioz´Benvenuto Cellini og Schumanns Genoveva.
Hesselager, Jens, 2006, In: Dansk årbog for musikforskning. 33/2005, p. 59-76Research output: Contribution to journal › Journal article › Research › peer-review
- 2008
- Published
Analytiske tilgange til Verdis musikdramaturgiske formsprog: Overvejelser med udgangspunkt i Un ballo in maschera
Hesselager, Jens, 2008, In: Musik & Forskning. 31 2007, p. 19-43Research output: Contribution to journal › Journal article › Research › peer-review
- Published
Fra fransk melodrama til dansk 'Pragtspektakel': Staffage, from inderlighed og kongehyldest i Salomons Dom (1817)
Hesselager, Jens, 2008, A due : Musical Essays in Honour of John D. Bergsagel & Heinrich W. Schwab. Kongsted, O., Krabbe, N., Kube, M. & Michelsen, M. (eds.). København: Det Kongelige Bibliotek, p. 230-243 14 p. (Danish Humanist Texts and Studies, Vol. 37).Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- 2009
- Published
Martin Knust: Sprachvertonung und Gestik in den Werken Richard Wagners. Einflüsse zeitgenössischer Rezitations- und Deklamationspraxis
Hesselager, Jens, 2009, In: Dansk årbog for musikforskning. 36, p. 91-93 3 p.Research output: Contribution to journal › Literature review › Research
- 2010
- Published
»There be light!«: »Stormen paa Kjøbenhavn« (1845) and the Danish Reception of French Grand Opera
Hesselager, Jens, 2010, In: Die Tonkunst. 4, 2, p. 199-207 9 p.Research output: Contribution to journal › Journal article › Research › peer-review
- 2011
- Published
Operatic or theatrical? Orchestral framings of the voice in the melodrama Sept Heures (1829)
Hesselager, Jens, 1 Nov 2011, Melodramatic Voices: Understanding Music Drama. Hibberd, S. (ed.). Aldershot: Ashgate, p. 27-44 18 p. (Ashgate Interdisciplinary Studies in Opera).Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- 2012
- Published
Sonorizing Melodramatic Stage Directions: ‘Reflexive performance’ as a way of approaching nineteenth-century French melodrama
Hesselager, Jens, Feb 2012, In: Nordic Theatre Studies. 23=2011, p. 20-30 11 p.Research output: Contribution to journal › Journal article › Research › peer-review
- Published
Introduction
Sivuoja, A., Hesselager, Jens, Ander, O. & Broman-Kananen, U., 30 Dec 2012, Opera on the Move in the Nordic Countries during the Long Nineteenth Century. Sivuoja, A., Ander, O., Broman-Kananen, U-B. & Hesselager, J. (eds.). Helsinki: Docmus Research Publications, p. 7-14 7 p. (Docmus Research Publications, Vol. 4).Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
Rachel the Jewess in Copenhagen
Hesselager, Jens, 30 Dec 2012, Opera on the Move in the Nordic Countries during the Long 19th Century. Sivuoja, A., Ander, O., Broman-Kananen, U-B. & Hesselager, J. (eds.). Helsinki: Docmus Research Publications, p. 221-249 29 p. (Docmus Research Publications, Vol. 4).Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- 2014
- Published
Kunzen’s Incidental Music: Musico-theatrical Practices, Strategies and Experiments in Early 19th Century Copenhagen.
Hesselager, Jens, 2014, Der Komponist Friedrich Ludwig Aemilius Kunzen (1761-1817): Gattungen. Werke. Kontexte.. Wald-Furhmann, M. & Wiesenfeldt, C. (eds.). Böhlau, Wien, Köln Weimar, p. 142-165Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
ID: 6544