Curating: Special issue of Peripeti
Research output: Book/Report › Anthology › Research
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Curating : Special issue of Peripeti. / Gade, Solveig (Editor); Møller Madsen, Storm (Editor); Marschall, Annika (Editor); Rosendal Nielsen, Thomas (Editor).
Peripeti, 2022. 206 p. (Peripeti).Research output: Book/Report › Anthology › Research
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TY - BOOK
T1 - Curating
T2 - Special issue of Peripeti
A2 - Gade, Solveig
A2 - Møller Madsen, Storm
A2 - Marschall, Annika
A2 - Rosendal Nielsen, Thomas
PY - 2022
Y1 - 2022
N2 - This issue of Peripeti is dedicated to curating within and in relation to the field of performing arts. Deriving from the Latin curatus, to curate means “to care for”. Over the past ten to fifteen years, the field of performing arts has gradually adapted the term of curation. As illustrated by the contributions to this issue, curatorial practices invite us, with renewed vigor, to negotiate whose histories and tastes artworks actually represent, and who gets to think, write and curate public spaces and cultural experiences for whom: What does it mean to ‘curate’ repertoires in theatre institutions, to ‘curate’ performing arts festivals or to ‘curate’ performance practices outside of purpose-built theatre buildings? Where do curatorial practices and dramaturgical practices align, overlap and/or differ? What does a curatorial lens offer for the field of theatre making and dramaturgy? What is the potential and what are the limits to putting into dialogue curatorial traditions within art museums and the field of theatre, dramaturgs and performing arts?
AB - This issue of Peripeti is dedicated to curating within and in relation to the field of performing arts. Deriving from the Latin curatus, to curate means “to care for”. Over the past ten to fifteen years, the field of performing arts has gradually adapted the term of curation. As illustrated by the contributions to this issue, curatorial practices invite us, with renewed vigor, to negotiate whose histories and tastes artworks actually represent, and who gets to think, write and curate public spaces and cultural experiences for whom: What does it mean to ‘curate’ repertoires in theatre institutions, to ‘curate’ performing arts festivals or to ‘curate’ performance practices outside of purpose-built theatre buildings? Where do curatorial practices and dramaturgical practices align, overlap and/or differ? What does a curatorial lens offer for the field of theatre making and dramaturgy? What is the potential and what are the limits to putting into dialogue curatorial traditions within art museums and the field of theatre, dramaturgs and performing arts?
M3 - Anthology
VL - 19, 35
T3 - Peripeti
BT - Curating
PB - Peripeti
ER -
ID: 394530220