Nicoletta Isar

Nicoletta Isar

Associate professor emerIta, !!Lektor emerita

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    ORCID: 0000-0002-4877-6057

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    1. Published

      Byzantine Parthenogenesis as Hierotopy of Fluid Brilliance

      Isar, Nicoletta, 2014, Water in the Hierotopy and Iconography of the Christian world: The Life-giving source: Вода в иеротопии и иконографии христианского мира: Живоносный источник. Lidov, A. M. (ed.). Russian Academy of Arts, p. 64-66

      Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review

    2. Published

      Chorography (Chôra, Chôros, Chorós) - A performative paradigm of creation of sacred space in Byzantium

      Isar, Nicoletta, 2004, Hierotopy:  Studies in the Making of Sacred Space. Radunitsa, p. 36-38

      Research output: Chapter in Book/Report/Conference proceeding › Conference abstract in proceedings › Research

    3. Published

      Elemental States of Image: Elan, Pulsion, Rapt, Rupture, Caesura, and Syncopation

      Isar, Nicoletta, 2024, Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rite of Disimagination. Isar, N. (ed.). Springer Nature Switzerland AG : Palgrave Macmillan, Cham, p. 25-70 46 p.

      Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review

    4. Published

      Of Ambrosia and Tears, Of Life, Death, and Shamanism in Art: A Journey into the Imaginary World of Emil Westman Hertz

      Isar, Nicoletta, 23 Sep 2013, De smukke drømmes lagune. Holstebro : Holstebro Kunstmuseums Forlag, p. 13-54 41 p.

      Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review

    5. Published

      The Vision and its "Exceedingly Blessed Beholder". Of Desire and Participation in the Icon

      Isar, Nicoletta, 2000, In: RES: The Journal of Anthropology and Aesthetics. 38, p. 56-72

      Research output: Contribution to journal › Journal article › Research › peer-review

    6. Published

      The Broken Image Splits and Cutting: Modern Representation and its Beginnings

      Isar, Nicoletta, 2004, Signs of Change. Transformations of Christian Traditions and their Representations in the Arts, 1000-2000. Amsterdam - New York: Brill | Rodopi, p. 113-136

      Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research

    7. Published

      The Nativity of Christ: A Theophany

      Isar, Nicoletta, 1996, In: Peregrina.

      Research output: Contribution to journal › Journal article › Research

    8. Published

      Hierotopy of light: inscribing sacred space in Byzantium

      Isar, Nicoletta, 2006, Proceedings of the 21st International Congress of Byzantine Studies, London 21-26 August 2006. p. 214-215

      Research output: Chapter in Book/Report/Conference proceeding › Conference abstract in proceedings › Research

    9. Published

      Dazzling Χορός: Being Moved by Light –Tropes of Sensoriality in Byzantium

      Isar, Nicoletta, 2021, Rituels religieux et sensorialité (Antiquité et Moyen Age): parcours de recherche. Caseau-Chevallier, B. & Neri, E. (eds.). Silvana Editoriale, p. 51-63 13 p.

      Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research

    10. Published

      Tropes of Ascension and the Elementals in Viola’s Poetics = Om himmelfart og det elementale i Violas poetik

      Isar, Nicoletta, Nov 2017, Bill Viola. Lund, J. (ed.). Copenhagen: Copenhagen Contemporary, p. 20-31 12 p.

      Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review

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