Nicoletta Isar
Associate professor emerIta, Associate Professor Emerita
- 1995
- Published
Entry of Theotokos into the Temple
Isar, Nicoletta, 1995, In: Canadian Orthodox Messenger. v 1, nr 2, p. 20-21Research output: Contribution to journal › Journal article › Research
- 1996
- Published
Text (Wall) Image - a semiotic approach of the post-byzantine décoration of the Moldavian churches
Isar, Nicoletta, 1996, Byzantium. Identity, Image, Influence. Abstracts XiX International Congress of Byzantine Studies. University of Copenhagen, p. 5334Research output: Chapter in Book/Report/Conference proceeding › Conference abstract in proceedings › Research
- Published
The Nativity of Christ: A Theophany
Isar, Nicoletta, 1996, In: Peregrina.Research output: Contribution to journal › Journal article › Research
- Published
Valorisation épigraphique dans l'herméneutique iconographique de l'image
Isar, Nicoletta, 1996, In: Byzantinoslavica: revue internationale des études byzantines. LVII (1996) 2, p. 351-375Research output: Contribution to journal › Journal article › Research › peer-review
- 1998
- Published
L'iconicité du texte dans l'image post-byzantine moldave: une lecture hésychaste
Isar, Nicoletta, 1998, In: Byzantinoslavica: revue internationale des études byzantines. LIX (1998) 1, p. 92-112Research output: Contribution to journal › Journal article › Research › peer-review
- 1999
- Published
Icoana ca presenta (The Icon as Presence)
Isar, Nicoletta, 1999, In: Vestitorul Ortodoxiei. Anul XI nr. 234-235, p. 8-10Research output: Contribution to journal › Journal article › Research
- Published
Le mur aboli: le sacrement de la Parole dans les absides des eglises moldaves
Isar, Nicoletta, 1999, In: Byzantinoslavica: revue internationale des études byzantines. LX (1999) 2, p. 611-632Research output: Contribution to journal › Journal article › Research › peer-review
- Published
The Living Wall: The Techniques of Incarnation and Restoration in Post-byzantine Moldavian Outside Paintings
Isar, Nicoletta, 1999, Changes in Post-Byzantine Icon Painting Techniques ICOM Commitee for Conservation Interim meeting of the Icon Research Area. The Valamo Conservation Institute, p. 43-44Research output: Chapter in Book/Report/Conference proceeding › Conference abstract in proceedings › Research
- 2000
- Published
The Iconic Chora: A Space of Kenotic Presence and Void
Isar, Nicoletta, 2000, In: Transfiguration: Nordisk tidsskrift for kunst og kristendom. no. 2, p. 64-80Research output: Contribution to journal › Journal article › Research › peer-review
- Published
The Vision and its "Exceedingly Blessed Beholder". Of Desire and Participation in the Icon
Isar, Nicoletta, 2000, In: RES: The Journal of Anthropology and Aesthetics. 38, p. 56-72Research output: Contribution to journal › Journal article › Research › peer-review
- 2001
- Published
A "Leap" into the Physics and the Metaphysics of the Puppet at the Beginning of the Twentieth Century
Isar, Nicoletta, 2001.Research output: Contribution to conference › Conference abstract for conference › Research
- Published
Et "spring" ind i det tyvende århundredes dukkes fysik og metafysik
Isar, Nicoletta, 2001, Marionet: Metafysik, Mekanik, Modernitet. internationalt symposium, gæstespil, workshop og arbejdsdemonstrationer, københavn, 28. marts - 1. april 2001. Københavns Internationale Teater - KIT, p. 11Research output: Chapter in Book/Report/Conference proceeding › Conference abstract in proceedings › Research
- Published
The Dance of Adam: Anastasis - a nuptial ceremonial?
Isar, Nicoletta, 2001, Pré-Actes XXe Congrès International des Études Byzantines. Collège de France Sorbonne, p. 450Research output: Chapter in Book/Report/Conference proceeding › Conference abstract in proceedings › Research
- 2003
- Published
The Dance of Adam: Reconstructing the Byzantine Chorós
Isar, Nicoletta, 2003, In: Byzantinoslavica: revue internationale des études byzantines. LXI, p. 179-204Research output: Contribution to journal › Journal article › Research › peer-review
- Published
To the Stranger with Love: Of Hospitality (Philoxenia) and the Exchanged Gifts
Isar, Nicoletta, 2003, In: Romanian Journal of International Affairs. IX special issue, p. 117-122Research output: Contribution to journal › Journal article › Research
- Published
Une mise en signe de l'espace social et culturel de la Moldavie á la fin du XVIe siécle. Les fondateurs de Sucevita á travers leurs portraits. Une image du pouvoir autocratique
Isar, Nicoletta, 2003, Inchinare lui Petre S. Nasturel la 80 de ani. Braila: Istros, p. 433-463Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- 2004
- Published
"Miraklernes Tid" Translucent Vision of Alphaville - a Chora Space In-Between
Isar, Nicoletta, 2004, Værløse Bymidte den 3. Sept. - 12. Sept. 2004 Lyrik-Installation/ Bog/ Digtsamling. Værløse: Trykt hos Ekspressen Tryk, p. 5-14 9 p.Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
Chorography (Chôra, Chôros, Chorós) - A performative paradigm of creation of sacred space in Byzantium
Isar, Nicoletta, 2004, Hierotopy: Studies in the Making of Sacred Space. Radunitsa, p. 36-38Research output: Chapter in Book/Report/Conference proceeding › Conference abstract in proceedings › Research
- Published
Chorós of Light: Vision of the Sacred in Paulus the Silentiary's poem Descriptio S. Sophiae
Isar, Nicoletta, 2004, In: Byzantinische Forschungen. Internationale Zeitschrift für Byzantinistik. XXVIII, p. 215-242Research output: Contribution to journal › Journal article › Research › peer-review
- Published
Livslinien: An Intensified Vision. Towards a Reading of Dodi Romanati's Ontology of the Image
Isar, Nicoletta, 2004, KøbenhavnResearch output: Other contribution › Research
- Published
The Broken Image Splits and Cutting: Modern Representation and its Beginnings
Isar, Nicoletta, 2004, Signs of Change. Transformations of Christian Traditions and their Representations in the Arts, 1000-2000. Amsterdam - New York: Brill | Rodopi, p. 113-136Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
Vision of the Unspoken: Voila's Hierotopy
Isar, Nicoletta, 2004, In: Arken. Bulletin. vol. 2, p. 29-39Research output: Contribution to journal › Journal article › Commissioned
- 2005
- Published
Chorography: The undecidable chora - a space for choreographic inscription
Isar, Nicoletta, 2005, In: AFART#23. #12, p. 23-25Research output: Contribution to journal › Journal article › Research
- Published
Choros: Dancing into the Sacred Space of Chora
Isar, Nicoletta, 2005, In: Byzantion. Tome LXXV, p. 199-224Research output: Contribution to journal › Journal article › Research › peer-review
- Published
Encounter with the Holy
Isar, Nicoletta, 2005, ICON DIALOG. København: Multivers, p. 14-19, 97-99 9 p.Research output: Chapter in Book/Report/Conference proceeding › Report chapter › Research
- Published
Undoing forgetfulness: Chiasmus of Poetical Mind - a Cultural Paradigm of Archetypal Imagination
Isar, Nicoletta, 2005, In: Europe's Journal of Psychology. vol, 1, nr. 3 (August)Research output: Contribution to journal › Journal article › Research › peer-review
- 2006
- Published
"Chorography (Chôra, Chôros, Chôrós) - A performative paradigm of creation of sacred space in Byzantium."
Isar, Nicoletta, 2006, Hierotopy: The Creation of Sacred Spaces in Byzantium and Medieval Russia.. Moscow: INDRIK, p. 59-90Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
ARThropology: A Slice of Life
Isar, Nicoletta, 2006, MADE IN VIDEO - International festival for eksperimental videokunst. København 2006.. København: Chamber of Public Secrets (CPS), p. 15-17Research output: Chapter in Book/Report/Conference proceeding › Report chapter › Research
- Published
Hierotopy of light: inscribing sacred space in Byzantium
Isar, Nicoletta, 2006, Proceedings of the 21st International Congress of Byzantine Studies, London 21-26 August 2006. p. 214-215Research output: Chapter in Book/Report/Conference proceeding › Conference abstract in proceedings › Research
- Published
L'espace iconique - inscription et transfiguration. la rhétorique paradoxale de l'mage sacrée à l'âge postbyzantin
Isar, Nicoletta, 2006, In: Scripta & e-Scripta. Vol. 3-4, p. 199-224Research output: Contribution to journal › Journal article › Research › peer-review
- Published
Theatre of Presence - Antero Alli's Paratheatrical ReSearch Lab
Isar, Nicoletta, 2006.Research output: Contribution to conference › Conference abstract for conference › Research
- Published
Icons at the Willumsen Museum in Denmark. Ethical Issues on Icon Research and Conservation
Isar, Nicoletta, 2006.Research output: Contribution to conference › Paper › Research
- 2008
- Published
Christina Mosegaards barok-vision: om folder, ansigter og stilhed
Isar, Nicoletta, 2008Research output: Other contribution › Research
- Published
From "World Picture" to Image/Sound World: The Spatialization of Sound in Viola's Video Installations
Isar, Nicoletta, 2008, In: Cinematographic Art. 3, p. 41-49Research output: Contribution to journal › Journal article › Research › peer-review
- Published
- Published
Surface and Decoy: Painting as Seduction
Isar, Nicoletta, 2008, In: MOT Masters of Today. p. 76-77 2 p.Research output: Contribution to journal › Journal article › Communication
- Published
THE EXQUISITE GIFT: A Quest for the Paradisiac Leap in Modernism
Isar, Nicoletta, 2008, In: Cinematographic Art. 2, p. 26-37Research output: Contribution to journal › Journal article › Research › peer-review
- Published
VICTOR HAGEA AMAZING!
Isar, Nicoletta, 2008, London: WOA /WORLD OF ART Publishing Petru Russu. 66 p.Research output: Book/Report › Book › Research › peer-review
- Published
Viola's Passionate Interregnum: Performing the Chôra Space-in-Between
Isar, Nicoletta, 2008, In: Bulletin of the Transilvania University of Brasov. 1 (50), series IV, p. 199-204Research output: Contribution to journal › Journal article › Research › peer-review
- 2009
- Published
CELICA IHERUSALEM CAROLINA: Imperial Eschatology and Light Apocalypticism in the Palatine Chapel at Aachen
Isar, Nicoletta, 2009, New Jerusalems: Hierotopy and Iconography of Sacred Spaces. Lidov, A. (ed.). Moscow: INDRIK, p. 311-337 27 p.Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- Published
Chorography: A Space for Choreographic Inscription
Isar, Nicoletta, 2009, In: Bulletin of the Transilvania University of Brasov. 2 (51), p. 263-268 6 p.Research output: Contribution to journal › Journal article › Research › peer-review
- Published
Chôra: Tracing the Presence
Isar, Nicoletta, 2009, In: Review of European Studies. 1, 1, p. 39-55 17 p.Research output: Contribution to journal › Journal article › Research › peer-review
- Published
Chôra : Creation and Pathology: An Inquiry into the Origins of Illness and Human Response
Isar, Nicoletta, 2009, In: Europe's Journal of Psychology. 2, p. 96-109 14 p.Research output: Contribution to journal › Journal article › Research › peer-review
- Published
Vision and Performance. A Hierotopic Approach to Contemporary Art
Isar, Nicoletta, 2009, Hierotopy: Comparative Studies of Sacred Spaces. Moscow: INDRIK, p. 328-362 34 p.Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- 2010
- Published
Voice Under Erasure: Viola’s Choral Visions and his Phonophobia
Isar, Nicoletta, 2010, In: Cinematographic Art. 1 (5), p. 8-13 6 p.Research output: Contribution to journal › Journal article › Research › peer-review
- Published
With Silent Lips: Sacred Prayers in Byzantine Ekphraseis and Other Text(iles)
Isar, Nicoletta, 2010, Filologija. Istorija. Izkustvoznanie.: Sbornik izsledvanija v cest na prof. dfn Stefan Smjadovski. Sofia: Izdatelstvo Valentin Trajanov, p. 215-232 18 p.Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
- 2011
- Published
Enchanting Poetry in Stone: Being Moved by Light in the Space of Hagia Sophia
Isar, Nicoletta, 2011, In: Medieval and Early Modern Studies for Central and Eastern Europe. III (2011), p. 19-30 12 p.Research output: Contribution to journal › Journal article › Research › peer-review
- Published
Imperial ΧΟΡÓΣ:A Spatial Icon of Time as Eternity
Isar, Nicoletta, 2011, Spatial icons. Performativity in Byzantium and Medieval Russia. Moscow: Indrik, p. 143-166 24 p.Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- Published
XOPÓS = Chorós : the dance of Adam: The Making of Byzantine Chorography. The Anthropology of the Choir of Dance in Byzantium
Isar, Nicoletta, 25 May 2011, Leiden: Alexandros Press. 448 p.Research output: Book/Report › Book › Research › peer-review
- 2012
- Published
Dazzling Presence: An Essay in the Phenomenology of the Saturated Phenomenon
Isar, Nicoletta, 2012, In: Euresis: Cahiers Roumains d'Etudes Litteraires. p. 130-139 10 p.Research output: Contribution to journal › Journal article › Research › peer-review
ID: 9168
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Potential Images
Research output: Chapter in Book/Report/Conference proceeding › Encyclopedia chapter › Research › peer-review
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Pathei Mathos and Skandalon in Le Sacre du Printemps
Research output: Contribution to journal › Journal article › Research › peer-review
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