Punk Art: An Exploration: Four case studies from London, West Berlin, Amsterdam, and Copenhagen, 1974-1984

Research output: Book/Report › Ph.D. thesis › Research

Standard

Punk Art: An Exploration : Four case studies from London, West Berlin, Amsterdam, and Copenhagen, 1974-1984. / Skov, Marie Arleth.

Det Humanistiske Fakultet, Københavns Universitet, 2019. 287 p.

Research output: Book/Report › Ph.D. thesis › Research

Harvard

Skov, MA 2019, Punk Art: An Exploration: Four case studies from London, West Berlin, Amsterdam, and Copenhagen, 1974-1984. Det Humanistiske Fakultet, Københavns Universitet.

APA

Skov, M. A. (2019). Punk Art: An Exploration: Four case studies from London, West Berlin, Amsterdam, and Copenhagen, 1974-1984. Det Humanistiske Fakultet, Københavns Universitet.

Vancouver

Skov MA. Punk Art: An Exploration: Four case studies from London, West Berlin, Amsterdam, and Copenhagen, 1974-1984. Det Humanistiske Fakultet, Københavns Universitet, 2019. 287 p.

Author

Skov, Marie Arleth. / Punk Art: An Exploration : Four case studies from London, West Berlin, Amsterdam, and Copenhagen, 1974-1984. Det Humanistiske Fakultet, Københavns Universitet, 2019. 287 p.

Bibtex

@phdthesis{1b8056077e074007a185a0cae648a2bd,
title = "Punk Art: An Exploration: Four case studies from London, West Berlin, Amsterdam, and Copenhagen, 1974-1984",
abstract = "Punk was visual as much as it was musical. Nonetheless, art history has been late to join other punk scholarship disciplines. The thesis Punk Art: An Exploration looks at the methods, viewpoints, and subject matter of punk art. This exploration is divided into an initial general outline of the history, conflicts, and key features in punk and, secondly, a case-based analysis of four artists groups, each considered within their local punk art scene, located in Western Eur ope in the time frame 1974 to 1984. The hybrid nature of the punk movement is emphasized: It is thus a crucial point that punk not only transgresses the boundaries between music, poetry, fashion, and visual art, but also between lifestyle, activism, and art. Furthermore, the dissertation shows how punk art is highly involved with the concept of history and how artists involved with punk engaged artistically with prior art movements – especially, but not exclusively, those of the interwar avant-gardes and their re-iterations in the 1960s.",
author = "Skov, {Marie Arleth}",
year = "2019",
month = feb,
language = "English",
publisher = "Det Humanistiske Fakultet, K{\o}benhavns Universitet",
address = "Denmark",

}

RIS

TY - BOOK

T1 - Punk Art: An Exploration

T2 - Four case studies from London, West Berlin, Amsterdam, and Copenhagen, 1974-1984

AU - Skov, Marie Arleth

PY - 2019/2

Y1 - 2019/2

N2 - Punk was visual as much as it was musical. Nonetheless, art history has been late to join other punk scholarship disciplines. The thesis Punk Art: An Exploration looks at the methods, viewpoints, and subject matter of punk art. This exploration is divided into an initial general outline of the history, conflicts, and key features in punk and, secondly, a case-based analysis of four artists groups, each considered within their local punk art scene, located in Western Eur ope in the time frame 1974 to 1984. The hybrid nature of the punk movement is emphasized: It is thus a crucial point that punk not only transgresses the boundaries between music, poetry, fashion, and visual art, but also between lifestyle, activism, and art. Furthermore, the dissertation shows how punk art is highly involved with the concept of history and how artists involved with punk engaged artistically with prior art movements – especially, but not exclusively, those of the interwar avant-gardes and their re-iterations in the 1960s.

AB - Punk was visual as much as it was musical. Nonetheless, art history has been late to join other punk scholarship disciplines. The thesis Punk Art: An Exploration looks at the methods, viewpoints, and subject matter of punk art. This exploration is divided into an initial general outline of the history, conflicts, and key features in punk and, secondly, a case-based analysis of four artists groups, each considered within their local punk art scene, located in Western Eur ope in the time frame 1974 to 1984. The hybrid nature of the punk movement is emphasized: It is thus a crucial point that punk not only transgresses the boundaries between music, poetry, fashion, and visual art, but also between lifestyle, activism, and art. Furthermore, the dissertation shows how punk art is highly involved with the concept of history and how artists involved with punk engaged artistically with prior art movements – especially, but not exclusively, those of the interwar avant-gardes and their re-iterations in the 1960s.

M3 - Ph.D. thesis

BT - Punk Art: An Exploration

PB - Det Humanistiske Fakultet, Københavns Universitet

ER -

ID: 214132995