Language, Voice, and Performance – Notes on Lily Greenham's Sound Poetry

Research output: Contribution to journalJournal articleResearchpeer-review

Standard

Language, Voice, and Performance – Notes on Lily Greenham's Sound Poetry. / Serup, Martin Glaz; Drucker, Johanna ; Broqua, Vincent; Gardfors, Johan; McGovern, Fiona; Minciacchi, Cecilia Bello .

In: Tidskrift foer Litteraturvetenskap, 2017, p. 22-33.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Serup, MG, Drucker, J, Broqua, V, Gardfors, J, McGovern, F & Minciacchi, CB 2017, 'Language, Voice, and Performance – Notes on Lily Greenham's Sound Poetry', Tidskrift foer Litteraturvetenskap, pp. 22-33. <http://ojs.ub.gu.se/ojs/index.php/tfl/article/view/4244/3438>

APA

Serup, M. G., Drucker, J., Broqua, V., Gardfors, J., McGovern, F., & Minciacchi, C. B. (2017). Language, Voice, and Performance – Notes on Lily Greenham's Sound Poetry. Tidskrift foer Litteraturvetenskap, 22-33. http://ojs.ub.gu.se/ojs/index.php/tfl/article/view/4244/3438

Vancouver

Serup MG, Drucker J, Broqua V, Gardfors J, McGovern F, Minciacchi CB. Language, Voice, and Performance – Notes on Lily Greenham's Sound Poetry. Tidskrift foer Litteraturvetenskap. 2017;22-33.

Author

Serup, Martin Glaz ; Drucker, Johanna ; Broqua, Vincent ; Gardfors, Johan ; McGovern, Fiona ; Minciacchi, Cecilia Bello . / Language, Voice, and Performance – Notes on Lily Greenham's Sound Poetry. In: Tidskrift foer Litteraturvetenskap. 2017 ; pp. 22-33.

Bibtex

@article{b2a96a8cf61e42a283f5f941f69af7bf,
title = "Language, Voice, and Performance – Notes on Lily Greenham's Sound Poetry",
abstract = "In this collective article, we argue for a wider recognition of Lily Greenham{\textquoteright}ssound poetry, underscoring her artistic uses of multilingualismand transnational collaboration. The form of the article is conceptual:in order to signal the importance given to poetry as a collaborative andtransnational activity in Greenham{\textquoteright}s oeuvre, we have chosen to write thearticle in six languages and as a collaboration between six scholars withdifferent backgrounds. The form of the article moreover refects the privilegegiven to language as material, structure, and activity in Greenham{\textquoteright}sworks. The purpose of our article is thus twofold: while we seek to initiatean academic reception of Greenham{\textquoteright}s works and to highlight these asimportant contributions to the traditionally male-dominated historiographyof sound poetry, we also seek to examine how academic writing can alterits conventional forms in order to address works that are not ideally suitedfor hermeneutic or exegetic acts of reading",
keywords = "Det Humanistiske Fakultet, Lily Greenham, multilingualism, multilingual poetry, sound poetry",
author = "Serup, {Martin Glaz} and Johanna Drucker and Vincent Broqua and Johan Gardfors and Fiona McGovern and Minciacchi, {Cecilia Bello}",
year = "2017",
language = "Flere sprog",
pages = "22--33",
journal = "Tidskrift foer Litteraturvetenskap",
issn = "1104-0556",
publisher = "Foereningen foer Utgivande av Tidskrift foer Litteraturvetenskap",

}

RIS

TY - JOUR

T1 - Language, Voice, and Performance – Notes on Lily Greenham's Sound Poetry

AU - Serup, Martin Glaz

AU - Drucker, Johanna

AU - Broqua, Vincent

AU - Gardfors, Johan

AU - McGovern, Fiona

AU - Minciacchi, Cecilia Bello

PY - 2017

Y1 - 2017

N2 - In this collective article, we argue for a wider recognition of Lily Greenham’ssound poetry, underscoring her artistic uses of multilingualismand transnational collaboration. The form of the article is conceptual:in order to signal the importance given to poetry as a collaborative andtransnational activity in Greenham’s oeuvre, we have chosen to write thearticle in six languages and as a collaboration between six scholars withdifferent backgrounds. The form of the article moreover refects the privilegegiven to language as material, structure, and activity in Greenham’sworks. The purpose of our article is thus twofold: while we seek to initiatean academic reception of Greenham’s works and to highlight these asimportant contributions to the traditionally male-dominated historiographyof sound poetry, we also seek to examine how academic writing can alterits conventional forms in order to address works that are not ideally suitedfor hermeneutic or exegetic acts of reading

AB - In this collective article, we argue for a wider recognition of Lily Greenham’ssound poetry, underscoring her artistic uses of multilingualismand transnational collaboration. The form of the article is conceptual:in order to signal the importance given to poetry as a collaborative andtransnational activity in Greenham’s oeuvre, we have chosen to write thearticle in six languages and as a collaboration between six scholars withdifferent backgrounds. The form of the article moreover refects the privilegegiven to language as material, structure, and activity in Greenham’sworks. The purpose of our article is thus twofold: while we seek to initiatean academic reception of Greenham’s works and to highlight these asimportant contributions to the traditionally male-dominated historiographyof sound poetry, we also seek to examine how academic writing can alterits conventional forms in order to address works that are not ideally suitedfor hermeneutic or exegetic acts of reading

KW - Det Humanistiske Fakultet

KW - Lily Greenham

KW - multilingualism

KW - multilingual poetry

KW - sound poetry

M3 - Tidsskriftartikel

SP - 22

EP - 33

JO - Tidskrift foer Litteraturvetenskap

JF - Tidskrift foer Litteraturvetenskap

SN - 1104-0556

ER -

ID: 236709033