Kulturel erindring i migrationens splintrede spejl

Research output: Contribution to journalJournal articlepeer-review

Standard

Kulturel erindring i migrationens splintrede spejl. / Petersen, Anne Ring.

In: Passepartout. Skrifter for kunsthistorie, Vol. 18. årgang, No. 33, 2012, p. 16-30.

Research output: Contribution to journalJournal articlepeer-review

Harvard

Petersen, AR 2012, 'Kulturel erindring i migrationens splintrede spejl', Passepartout. Skrifter for kunsthistorie, vol. 18. årgang, no. 33, pp. 16-30.

APA

Petersen, A. R. (2012). Kulturel erindring i migrationens splintrede spejl. Passepartout. Skrifter for kunsthistorie, 18. årgang(33), 16-30.

Vancouver

Petersen AR. Kulturel erindring i migrationens splintrede spejl. Passepartout. Skrifter for kunsthistorie. 2012;18. årgang(33):16-30.

Author

Petersen, Anne Ring. / Kulturel erindring i migrationens splintrede spejl. In: Passepartout. Skrifter for kunsthistorie. 2012 ; Vol. 18. årgang, No. 33. pp. 16-30.

Bibtex

@article{da19a14c135346c593e675f3f76ad75e,
title = "Kulturel erindring i migrationens splintrede spejl",
abstract = "How does a work of art filter and articulate trans-cultural experience and knowledge of history? This is a topical question in the present age of mass migration, where the traditional notion of the culturally unified nation state has come under pressure as European societies are transformed into multicultural societies characterized by cultural diversity. The discipline of art history has a long-standing tradition of regarding questions of cultural memory and heritage as pertaining to the history of the nation with its presumed ethnic and cultural homogeneity. Thus, art history is in urgent need of revising this nation-oriented notion of cultural memory and developing methodological and theoretical tools for analyzing how cultural memory can operate at the intersection between several cultures, and how the outcome of these processes is articulated in works of art. For this purpose the article introduces a cluster of helpful concepts: hybridity, cultural translation, multi-temporality and heterochrony. By way of a conclusion, it tests their usefulness in an analysis of an installation by Chohreh Feyzdjou.",
keywords = "Det Humanistiske Fakultet, Erindring, kollektiv erindring, erindring, transnational, migration, samtidskunst, installationskunst, hybriditet, memory, collective, memory, transnational, migration, contemporary art, installation art, hybridity",
author = "Petersen, {Anne Ring}",
year = "2012",
language = "Dansk",
volume = "18. {\aa}rgang",
pages = "16--30",
journal = "Passepartout",
issn = "0908-5351",
publisher = "Aarhus universitet",
number = "33",

}

RIS

TY - JOUR

T1 - Kulturel erindring i migrationens splintrede spejl

AU - Petersen, Anne Ring

PY - 2012

Y1 - 2012

N2 - How does a work of art filter and articulate trans-cultural experience and knowledge of history? This is a topical question in the present age of mass migration, where the traditional notion of the culturally unified nation state has come under pressure as European societies are transformed into multicultural societies characterized by cultural diversity. The discipline of art history has a long-standing tradition of regarding questions of cultural memory and heritage as pertaining to the history of the nation with its presumed ethnic and cultural homogeneity. Thus, art history is in urgent need of revising this nation-oriented notion of cultural memory and developing methodological and theoretical tools for analyzing how cultural memory can operate at the intersection between several cultures, and how the outcome of these processes is articulated in works of art. For this purpose the article introduces a cluster of helpful concepts: hybridity, cultural translation, multi-temporality and heterochrony. By way of a conclusion, it tests their usefulness in an analysis of an installation by Chohreh Feyzdjou.

AB - How does a work of art filter and articulate trans-cultural experience and knowledge of history? This is a topical question in the present age of mass migration, where the traditional notion of the culturally unified nation state has come under pressure as European societies are transformed into multicultural societies characterized by cultural diversity. The discipline of art history has a long-standing tradition of regarding questions of cultural memory and heritage as pertaining to the history of the nation with its presumed ethnic and cultural homogeneity. Thus, art history is in urgent need of revising this nation-oriented notion of cultural memory and developing methodological and theoretical tools for analyzing how cultural memory can operate at the intersection between several cultures, and how the outcome of these processes is articulated in works of art. For this purpose the article introduces a cluster of helpful concepts: hybridity, cultural translation, multi-temporality and heterochrony. By way of a conclusion, it tests their usefulness in an analysis of an installation by Chohreh Feyzdjou.

KW - Det Humanistiske Fakultet

KW - Erindring, kollektiv erindring

KW - erindring, transnational

KW - migration

KW - samtidskunst

KW - installationskunst

KW - hybriditet

KW - memory, collective

KW - memory, transnational

KW - migration

KW - contemporary art

KW - installation art

KW - hybridity

M3 - Tidsskriftartikel

VL - 18. årgang

SP - 16

EP - 30

JO - Passepartout

JF - Passepartout

SN - 0908-5351

IS - 33

ER -

ID: 41053355