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Christine Jeanneret

Christine Jeanneret

Assistant professor

Her research focuses on the history and philology of Italian music of the Renaissance and Baroque periods, with particular regard to gender studies and performance practices. She is the author of a book on the manuscript sources of Frescobaldi’s music, L’Œuvre en filigrane (Olschki, 2009), she co-edited three volumes of the Frescobaldi’s Complete Works for Suvini-Zerboni, and has published articles on keyboard music, the Roman cantata, the late madrigal, opera and gender studies. She is particularly interested in the performance and staging of early music, the body on stage, as well as the cultural transmission of repertoires. 

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