Peter Woetmann Christoffersen
Emeritus
Department of Arts and Cultural Studies
Karen Blixens Vej 1
2300 København S
1 - 2 out of 2Page size: 100
- 2007
- Published
Alexander Agricola's Vocal Style – »bizarre« and »surly«, or the Flower of the Singer's Art?
Christoffersen, Peter Woetmann, 2007, Alexander Agricola. Musik zwischen Vokalität und Instrumentalismus: Trossinger Jahrbuch für Renaissancemusik, Band 6, 2006. Schwindt, N. (ed.). Kassel: Bärenreiter, p. 59-79Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
- Published
The Music Sections of MS Amiens 162: Copyists, Purpose, Corbie, Confréries and the Role of Antoine de Caulaincourt’, paper presented at the Colloque International »In Seculum Amiens. Les manuscrits musicaux d’Amiens au Moyen Âge«, November 22-24, 2007 in Amiens
Christoffersen, Peter Woetmann, 2007Research output: Other contribution › Net publication - Internet publication › Research
ID: 5036
Most downloads
-
752
downloads
Sangerens kunst og Agricolas kirkemusik: Om forholdet mellem improviseret og komponeret flerstemmighed
Research output: Contribution to journal › Journal article › Research
Published -
436
downloads
Josquin Desprez: Ut Phebi radiis. Motet for fire stemmer udgivet [og kommenteret] af Peter Woetmann Christoffersen
Research output: Other contribution › Net publication - Internet publication › Research
Published -
44
downloads
An experiment in musical unity, or: The sheer joy of sound. The anonymous Sine nomine mass in MS Cappella Sistina 14
Research output: Contribution to journal › Journal article › Research › peer-review
Published